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��������Ƶ student, alumni and faculty films to screen at RiverRun International Film Festival

Last updated April 23, 2022

Students, alumni and faculty of the School of Filmmaking at the University of North Carolina School of the Arts (��������Ƶ) have numerous connections – from panel discussions to films selected to screen – to the 24th , which runs April 21-30. 

This year’s festival will be a hybrid of in-person and virtual screenings and panels. Venues include the ACE Exhibition Complex at ��������Ƶ, the Southeastern Center for Contemporary Art (SECCA), Marketplace Cinemas, and theaters at the Milton Rhodes Center for the Arts in Winston-Salem, among others, and the RED Cinemas in Greensboro. Tickets are available on the at . ��������Ƶ is the title sponsor of the festival. 

“We are very grateful to have the symbiotic relationship that exists between RiverRun and ��������Ƶ,” said School of Filmmaking Dean Deborah LaVine. “It is beneficial for the festival to have an internationally top-ranked film school in its backyard, and for our young filmmakers to have one of the fastest-growing regional film festivals in the U.S. in the city where they are training.

“I believe festivals remain one of the most significant avenues for filmmakers at every level of their careers to have eyes on their work – which is the primary goal of making films,” LaVine continued. “Also, a film festival enriches its local community both economically and culturally.

I believe festivals remain one of the most significant avenues for filmmakers at every level of their careers to have eyes on their work – which is the primary goal of making films.

Deborah LaVine

“River Run is a gem in that it respects its regional artists but also blends many genres of film, and a wonderful mix of artists who entertain its audience, as well as challenge them,” LaVine concluded.

LaVine will be moderating panel discussions with several of the RiverRun guests. One is with visiting faculty member Ilana Coleman and entrepreneur Iris Cole, who will be panelists for “Filmmaking Approaches To Trafficking and Disappearance” at 3 p.m. Sunday, April 24, in the Main Theatre of the ACE Exhibition Complex at ��������Ƶ. Coleman is a director, writer, editor and producer, working in both documentary and fiction. “The Inventory” is her feature film born out of the murky line demarcating criminal organizations and The State, which is a relationship that’s resulted in more than 80,000 disappearances. Cole's recent venture Do Good Artist is pioneering social change through multi-sector collaborations between the arts and other industries. Do Good Artist launched “Unseen,” a virtual reality experience that raises awareness about human trafficking, at the 2019 RiverRun Festival.

Coleman will also be featured on another panel, “A Woman’s Viewpoint: Mexican and Mexican American Films Today,” which will be presented at 5 p.m. Friday, April 22, at Hanesbrands Theatre at the Rhodes Center. Coleman will be joined by Iliana Sosa, whose documentary, “What We Leave Behind,” is screening at RiverRun, as is Coleman’s narrative, “Dos Estaciones” (detailed later in this release), which premiered at the Sundance Film Festival earlier this year. The panel will discuss how Mexican and Mexican American cinema is currently being transformed by women filmmakers working in both the documentary and narrative sectors of the industry.

A visiting faculty member in directing this semester, Andrew Harrison Brown will be featured on a panel on “Career Sustainability in a Changing Film and Television Landscape,” at 2 p.m. Saturday, April 30, in Reynolds Place Theatre at the Rhodes Center. While many individuals beginning a career in film and television look toward the high-profile, above-the-line careers like directing, writing and acting, there is a myriad of career possibilities in the industry. The advent of streaming and new film and television outlets has seen an expansion of career opportunities in below-the-line careers not even imagined a decade ago. Other panelists include Natalie Bullock Brown, Roger Darnell and Eric Johnson.

All panel discussions are free and open to the public with registration at .

First-year graduate student Aileen Lassiter will represent ��������Ƶ in the 11th Annual Pitch Fest Student Documentary Film Competition at RiverRun. The competition, in which student documentary filmmakers pitch their ideas to a panel of jurors who provide feedback and cash prizes, will be held at 2 p.m. April 23 at Hanesbrands Theatre at the Rhodes Center. She will pitch her doc “What Happened to Ottie B Graham,” about Lassiter’s great-grandmother, who played an active role in the Harlem Renaissance and was educated at Howard and Columbia universities. When her husband, a prominent Black physician, was found hanging in his own office, Ottie left her only son — but why? 

Three students have two films in the Films With Class – Elementary School Shorts category, screening at 4:30 p.m. April 28 at Reynolds Place Theater at the Rhodes Center and virtually on April 27.

• In “M�ܲԻ岹�Գ���,” Maria is tired of her mundane office job and wishes her life was like a musical. The five-minute film is directed by 2022 B.F.A. candidate Abby Davenport and third-year film student Aiden Winter-Deely.
• “Good Boy Cerberus” follows the trail of Cerberus, a three-headed puppy who ends up on the lord of the underworld’s doorstep. After he goes through guard dog training to become useful to his new master, will he remain a cute and loving puppy, or end up the monster that he was born to be? The six-minute film is directed by 2022 B.F.A. candidate MK Singleton. 

A student and two alumni have three films in the North Carolina Shorts 2 – Narratives category, which will screen at 7:30 p.m. April 22 at Reynolds Place Theatre in the Rhodes Center and at 8 p.m. April 28 at SECCA, and virtually on April 22.

• Set in an alternate 1927 destroyed by pollution, “Deepwater Sponger” follows a diver who ventures into the Earth’s mysterious ocean to find its last cache of fresh water and save humankind. His treacherous descent brings him face-to-face with untold horrors, forcing him to decide how much he’s willing to sacrifice for the sake of the mission. The 17-minute film is directed by alumnus Connor Ryan (B.F.A. ’21).
• After the disappearance of her younger sister, Jamila finds herself in an unknown world in “J����������.” While searching for her sister, she not only stumbles upon magic within the world but ultimately within herself. The 13-minute film is directed by alumna Jo Hatcher (B.F.A. ’21)
• Fighting in an underground MMA league, a talented young fighter named Miles and his coercive father have dreams of being the best in the sport in the film ��ٳ󲹻�Ƿɲ��dz澱�Բ�.” After Miles believes he’s accidentally killed one of his opponents, he struggles to confront his father who is pressuring him to continue fighting while neglecting his emotions. The 12-minute film is directed by Zander Heiselman, a 2022 B.F.A. candidate. The film earned cinematographer Ariano Treviño Angelone, a candidate for a 2022 B.F.A., a nomination for an Isidore Mankofsky Student Heritage Award from the American Society of Cinematographers.  

Alum Grant Conversano (B.F.A. ’18) has a film in the North Carolina Shorts – Documentary category. In “Father, Can’t You See I’m Burning,” Conversano interrogates the medium of the family photo, and what it means to be photographed as a child by one’s father while exploring intergenerational trauma, grief and addiction. The 13-minute film will screen at 3:30 p.m. April 22 at Reynolds Place Theatre at the Rhodes Center and at 5 p.m. April 29 at SECCA. It will also screen virtually on April 23.  

Four alumni have three films in the Carolina Stories category.

• Alumnus John Mathis (B.F.A. ’17) directs “Where’s Rose,” which will screen at the Marketplace Theater 1 at 8 p.m. April 28 and also virtually on April 29. When a little girl is found after going missing, only her older brother (Ty Simpkins) recognizes the evil force that has returned in her place. This psychological, social horror film was made primarily by all ��������Ƶ alums and was filmed during the pandemic in Winston-Salem.
• Alumnus Zach Coker (B.F.A. ’12) directs “The Yurt,” which stars fellow Filmmaking alumnus Zach Strum (B.F.A. ’12). After breaking up with his fiancé, Jack leaves city life seeking a connection with nature to heal his heart. He finds something different and bizarre when he meets tantric guru Kali, a spiritual leader offering him a new path. Through unique spiritual practices, she uncovers his past trauma and helps him discover his true self. Where does our need to belong end? “The Yurt” will screen at the Marketplace Theater 1 at 8 p.m. April 24, and virtually April 25.
• School of Dance alumna Cashavelly Morrison (H.S. ’99) and Filmmaking alumnus Edward Taveras (B.F.A. ’20) direct “M��ٲ����ǰ����Dz�����,” an avant-garde, experimental feature film made primarily by ��������Ƶ alums and shot in Winston-Salem and around North Carolina. Morrison creates a long-form music video set to her new album of the same name. The film follows a woman in crisis who leaves her life of luxury for the wilderness, where a mysterious man leads her to unexpected revelations. The film will screen at Marketplace Theater 1 at 6 p.m. April 24, and virtually on April 25.

A School of Filmmaking faculty member and alumna have a film in the N.C. Shorts – Winston Rising category. “Mighty Girls: Rising in Winston-Salem” is a poignant documentary that tells the story of two teenage girls raised in poverty as they pursue their dreams of being an engineer and a police officer in their complicated, sometimes unsafe world. They are helped along the way by their friends at LEAD (Learning Everyday Accomplishing Dreams) Girls of NC. The film is directed by Laura Hart McKinny, John H. McKinny, and alum Ashley Miller (B.F.A. ’20). The 34-minute film will screen at 2 p.m. April 23 at SECCA, and virtually on April 24. Laura Hart McKinny teaches screenwriting at ��������Ƶ. She and son John H. McKinny run a production company called Stone’s Throw Films Inc. 

Current School of Filmmaking visiting faculty member Ilana Coleman is the writer/producer of “Dos Estaciones,” which will screen in the Global Currents category. The film portrays iron-willed businesswoman María García (Teresa Sánchez), who is fighting the impending collapse of her once majestic tequila factory in Mexico’s Jalisco highlands. The film will screen at 1 p.m. April 23 in the Main Theatre at ��������Ƶ. This semester, Coleman is teaching directing and screenwriting at ��������Ƶ.

“What’s Up, Doc?” will screen in the From the Archives category at 4:30 p.m. April 24 in the Main Theatre at ��������Ƶ. The hilarious comedy starring Barbra Steisand and Ryan O’Neal is from the late director Peter Bogdanovich, who served several years on the ��������Ƶ School of Filmmaking faculty.

Additionally, this year ��������Ƶ School of Filmmaking students will review select RiverRun films for the Winston-Salem Journal. Support for the film reviews is provided by the Thomas S. Kenan Institute for the Arts.

Updates since release date of April 18, 2022

Directed by Sherene Strausberg (M.M. ’02), “Cool For You” is an animated film, based on the book of the same title, that explains global warming to children in a friendly way. Incorporating different characters and families, animals and plants, the film introduces children to CO2, and positive, easy ways to improve our impact on the earth. A three-minute film, “Cool For You” is in the Films With Class – Elementary School Shorts category, screening at 4:30 p.m. April 28 at Reynolds Place Theater at the Rhodes Center and virtually on April 27.

Directed by Daniel Mercer (M.F.A. Filmmaking ’19) and Matthew Vermilyea (M.F.A. Filmmaking ’19), “The Mourner” focuses on Lonnie Walker, who finds lonely work as a professional mourner at sparsely attended funerals. But when he meets the granddaughter of the recently deceased, he sees an opportunity to set his life on a new path. An 18-minute film made primarily by ��������Ƶ alums, “The Mourner” is in the North Carolina Shorts 2 – Narratives category, which will screen at 7:30 p.m. April 22 at Reynolds Place Theatre in the Rhodes Center and at 8 p.m. April 28 at SECCA, and virtually on April 22.

Directed by Graham Bowlin (B.F.A Filmmaking ’09), “Treats” portrays a married couple – working to overcome a rough patch – that goes out to the desert to focus on each other. When a masked maniac breaks into their home on Halloween night, they’re forced to put aside their differences and come together to defeat him. The 17-minute “Treats” is in the Late Night Shorts category, which screens at 12 a.m. April 28, virtually only.

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