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��������Ƶ, and the Thomas S. Kenan Institute for the Arts have announced a new partnership launching with a fellowship program supporting the development of Working Theater’s “” project, a powerful exploration of the lives and struggles of delivery workers in New York City. Created in solidarity with Los Deliveristas Unidos (), the new work by Ed Cardona, Jr. (“La Ruta,” New York Times Critic’s Pick) will examine delivery cyclists’ efforts to organize for fair wages, workplace safety and human dignity.

As part of the fellowship, funded by the Kenan Institute for the Arts, students from the School of Filmmaking at ��������Ƶ are collaborating with Working Theater to create a new film under the mentorship of professional filmmaker Cyrus Moussavi, documenting the development process of “La Dureza.” The film will capture the creative journey and immediate struggles of Los Deliveristas Unidos around New York City, highlighting the importance of this timely and relevant work. The film will be screened as part of Working Theater’s 40th anniversary season in spring 2025. The premiere of “La Dureza” will be announced at a later date.

��������Ƶ student filmmakers traveled to New York City this summer for a two-week intensive development process, bringing together emerging artists and seasoned professionals to collaborate on the early stages of development of the new play. Additional Kenan Institute support will fund a campus residency at ��������Ƶ for Moussavi this fall, where he will mentor students in editing and postproduction while sharing insights from his career as a filmmaker and music archivist documenting overlooked music worldwide.

Director Colm Summers and Playwright Ed Cardona, Jr. / Photo: Valerie Terranova

"We are honored to partner with ��������Ƶ and the Kenan Institute for the Arts to break down barriers to access in the American theater," said Colm Summers, artistic director of Working Theater. "This fellowship provides a platform for emerging artists, and also amplifies the voices of exploited individuals at the heart of our city’s labor movement, to reach new and underserved theater audiences. The future of the American theater starts with the local, looks a lot like community organizing, and the audience of the future starts with working people. ‘La Dureza’ is a commitment to that future."

“We are thrilled to be partnering with Working Theater,” said School of Filmmaking Dean Deborah LaVine. “This important collaboration, and the initial fellowship around ‘La Dureza,’ provide our students professional opportunities to create art with a company that has long been associated with relevant, socially impactful storytelling. The experience broadened the students’ appreciation for the impact film can make as an engine for social discourse. Also, the project connected them with working artists who will remain long-term collaborators postgraduation.”

For over 30 years, the Kenan Institute for the Arts has served as an incubator and accelerator for creativity, connecting ��������Ƶ with the broader arts sector. "Forging professional pathways for early-career artists and supporting the development of new work remain central to our mission," says Executive Director Kevin Bitterman. "Our emerging partnership with Working Theater, the ��������Ƶ creative community, and filmmaker Cyrus Moussavi exemplifies our commitment to interdisciplinary collaboration and supporting artists dedicated to social transformation through the arts."

Actor Reynaldo Piniella from a reading of "La Dureza" / Photo: Valerie Terranova

The “La Dureza” project is an innovative piece of theater that delves into the experiences of delivery workers across New York City, shedding light on their challenges, resilience and contributions to the city’s fabric. By documenting the development process and the culminating reading, Working Theater aims to create a comprehensive narrative that not only showcases the artistic process but also underscores the significance of the issues being explored.

This fellowship marks the beginning of a dynamic partnership between Working Theater, ��������Ƶ communities and the Kenan Institute for the Arts, and sets the stage for future collaborations that will continue to elevate the stories of working people and foster the growth of new and diverse voices in the theater community.

About ��������Ƶ

The University of North Carolina School of the Arts (��������Ƶ) is a top-ranked arts conservatory and America’s first state-supported arts school. The nation’s only public university of five arts disciplines on one campus, ��������Ƶ prepares emerging artists for careers in dance, design and production, drama, filmmaking, and music at the undergraduate through post-graduate levels, as well as through a specialized high school with free tuition for in-state residents. ��������Ƶ provides industry-leading instruction in an inclusive environment where students are encouraged to leverage the arts as a mechanism for change. Interdisciplinary opportunities arising from the unique arts ecosystem on campus at ��������Ƶ prepare artists to enter an evolving global arts and entertainment industry. Established by the N.C. General Assembly in 1963, the School of the Arts opened in Winston-Salem (“The City of Arts and Innovation”) in 1965 and became part of the University of North Carolina System when it was formed in 1972. For more information, visit.

About the Kenan Institute for the Arts

The Thomas S. Kenan Institute for the Arts was established in 1993 to strengthen the arts by initiating and incubating new ideas within the various constituencies and settings of the University of North Carolina School of the Arts (��������Ƶ). By leveraging the extraordinary talents and creative energies of students, faculty, staff and alumni to bring distinction to ��������Ƶ, the Kenan Institute acts as a springboard to the broader creative community. For more information, visit .

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